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This is a spacious film replete with suggestive symbols of grace, redemption, magical thinking, loss and the boundaries that are personal, cultural, and spiritual, not merely geographic. Ironically, when a dreamless, aimless Barry Pepper, who seems already past his prime at 30 becomes a member of the border patrol, he shoots an anonymous Mexican (Jones’s blood brother so to voice) –and not even having the sympathy to try to serve him–in fact, not having the humanity to even touch him as he lies bleeding to death–is more concerned about his job than another human being. In this case the Mexican to him is merely a type, not really a person. On the other hand Tommy Lee Jones, who sees the person leisurely the persona, is more concerned about the soul than the outward trappings of language or labels. When he discovers his friend dies at the hands of Pepper, Jomes sits in his friend’s modest shack unbiased to feel his presence–to commune with his wearisome friend, as a means of coming to terms with his inconvenience. Faced with the indifferent locals who would rather keep their butts than assign their souls, Jones takes it on himself to become the humanizing agent in a mercenary world. Forcing the border guard at gunpoint to accompany his friend to his final burial residence, he traverses a bleak land that could be the Eliot’s wasteland or the underworld. When he brings his friend home, he finds to his surprise, this beloved Mexican town is not what it is described to be. But as he understands that sometimes the imagination fulfills a purpose that life cannot, dignifies the death of his friend and redeems the humanity of the border guard. This film shows how human relations matter; how the electronic media are mere illusion producing devices; and even an outmoded cowboy’s body can accumulate the fountain of youth by sticking to basic principles of human decency and plan, and even the most direloneliness can be overcome even miles from home.

I’m a western movie lover. This was a movie that really scratched that itch. Tommy Lee Jones is terrific and shows once again what a pleasing actor he really is. Julio Cedillo, as Melquiades Estrada, is an agreeable actor and also, ladies, very lovely. All in all, it is really an obliging movie.

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The myth is one of deep friendship between two people that arrive from different worlds…..and the border that divides two countries as well as peoples’ souls. It is a yarn of loyalty and dedication in the face of adversity. The scenery is kindly and the drawl is amazingly good, i.e. capturing the place of wilderness that lies in Texas and in Mexico.

It is a bit harsh at times, being that Tommy Lee Jones literally has his buddy dug up, after he is murdered, and then carts him benefit to his home in Mexico to be buried, all the while dragging with him an noxious and disgusting border patrol agent. You regain over the harshness rather expeditiously, though, as you reach to understand the principles unhurried the man and his actions.

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Highly recommended, the movie takes you away from show day societal craziness for a while, and plunks you into point to day rural craziness for a while. It was grand.
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